For Those Who Can't Sleep On Hip Hop

Interview by C73

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Is Hip-Hop Dead? If yes, explain. If no, explain:

There’s many ways to answer this question but generally speaking, no, Hip Hop has too many identities to be dead. It reinvents itself. In fact, Hip Hop is still saving lives on many levels or at least in my hood. So I guess it’s what hip hop identity you’re speaking of specifically. From my vantage point, it’s progressing on every level. “Creation Don’t Stop”

What is your vision of Hip Hop’s future?

Nobody’s buying CD’s and Vinyl is becoming extinct. We’re crossing into a new generation of downloading and iTunes. Hopefully, that levels the playing ground and independent artists can to tap into a broader audience. Marketing controls the masses so I don’t expect any dramatic changes.

Do you listen to other forms of music outside of Hip Hop, if yes WHAT?

Reggae, Jazz, classic rock, alternative, etc. More specifically, in the now, the White Stripes, Little Dragon, Junior Gong & John Legend to name a few. I have kids so it’s important to have diverse music taste to broaden your perspective. It’s like traveling without traveling. You don’t want to be stuck in your city listening to what the local stations spin. That’s what they want.

Who were your artistic/musical influences growing up?

Run DMC, The Doors, Ultramagnetics, De La Soul, NWA, George Clinton, Led Zeppelin, Freestyle Fellowship, Jimi Hendrix, Public Enemy, LL Cool J, Egyptian Lover, Ice T and many others. That was in no specific order.

What is your music background?

Growing up with vinyl collectors and band musicians. 80′s child, so my background was the exploration of music culture evolving including MTV. That was the pivotal decade for hip hop.

How do you describe your music to people?

Depends on who I’m talking to and the project I’m pushing really. Generally, I’d say, its conscious hip hop with a message.


What image do you think your music conveys?

Heavy consciousness, reality/relationships and a lot of times… darkness. I’m working with different producers to give my music more color. I definitely write with more color and have some diverse songs but often attract producers that like the sound we’re doing. So it’s a bit of a catch 22. Example; you’re not going to approach Kool Keith to do a serious record; Right? If he did, I’m sure he could pull it off but just doesn’t seem like that’s what people want from him.

What’s your outlook on the record industry today?

Grim. It’s all for capital gain. That means exploitation at any cost. So it’s no different from yesterday.

What inspires you to do what you do?

Life, maturation, working with new artists and traveling.

What project or projects are you currently working on? When will they be released?

I’m currently working with our in house producer Mascaria on 2 different records. “The Void” which should be available on iTunes by the time this interview is published. It is an abstract record we did that expands on our take of the concept – The Void. Mascaria produced all of the music and also shared half the lyrics with myself along with some other guest appearances.

“Resurgence” is the long awaited 3rd full length ‘E Times 2′ crew record which should be released late this year. It’s entirely produced by Mascaria. We’re excited about this record.

A self titled solo “Gel Roc” album; produced by Xzcircles from Escape Artists. Hopefully this year but, don’t want to compete with other releases so we’ll make that decision when it’s complete.

And a couple other projects that are supposed to get started. One with Awol One and myself. And another solo project produced by Deeskee and Joe Dub of La2thebay.com. Those 2 will probably be 2010 releases. As well as a lot of guest appearances on other peoples records.

If you had an opportunity to collaborate with ANY artist or artists (dead or alive) in ANY genre of music/art, who would you choose? And why?

Producers; George Clinton, Egyptian Lover & Prince Paul on one record. Because they’re all the sh*t!

Please check out Gel Roc @:

http://www.myspace.com/gelroc

 

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interview by C73

Is Hip-Hop Dead? If yes, explain. If no, explain:
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Well….I wouldn’t say it’s dead because it’s definitely trying to stay alive. I’d say it’s like a zombie, brain dead but still functioning and trying to eat. The whole transformation of the industry could be like some kind of holocaust that turned hip hop into zombies. Now cats are running around trying to figure out what the hell to do. Just seeing how trends go in general, I’d never expected hip hop to stay at the top like it has been for a while. Hopefully no one was dumb enough to think that. The state of the music business kinda facilitated that but ,what is good is that now listeners and fans have to dig for new stuff. All these small labels and artists are left to using more basic, as well as not-so-obvious methods to get the word out.

What is your vision of Hip Hop’s future?

I think hip hop will be fine. Actually I think all music will be fine. As soon as some label or artist taps into the next big marketing method to gain sales, naturally the rest of the industry will follow. I’m not really worried about hip hop’s future because as long as I’ve got equipment to occupy my time hip hop will always exist in my head. I feel as though it will just continue following the same cycle it’s always followed but, will just morph into different forms and trends to keep up with or mold the times. In the future I see it reviving the major role that it has had over the years. The question is, when will that be????

Do you listen to other forms of music outside of Hip Hop, if yes WHAT?

I’ve been listening to a lot of different genres of metal and avant-garde stuff the past few years. Car Bomb, Psyopus, Fantomas, Coalesce, Meshuggah, Dillinger Escape Plan, John Zorn, and more have been in heavy rotation recently. Normal just hasn’t been doing it for me for a while. I need something that can challenge and expand my mind musically, not just lyrically. 4 looped bars are not challenging. I know how my equipment works so I need to hear things that will help me take my knowledge of producing to a different level and provide a different, distinctive sound.

Who were your artistic/musical influences growing up?

Afrika Bambaata, Run DMC, The Bomb Squad, George Clinton/Parliament/Funkadelic (the music as well as the crazy album covers), a lot of 70′s funk bands were my main influences. I remember my parents having parties and I’d always hear that good spaced- out funk. My pops was always playing music while he worked around the house. I’d go digging thru his records and 8-tracks finding all types of crazy covers and stuff. The first records I had were King of Rock, The Roof is on Fire, Electric Kingdom, Apache and Planet Rock. I loved the old electro stuff. One of my favorite songs even to this day is Scorpio. It gives me a rush when I hear it and reminds me of BBQ’s and gathering when I was a little kid rolling around with a boombox everywhere I went. Lots of carefree memories.

What is your music background?

I took up the recorder (yes, the recorder) in elementary school for one school year and guitar lessons for about a year in high school (sports overtook them though). When I stopped playing sports I started DJing, then rapping and then producing. I’ve always wanted to play the drums but never had the time for it. I’ve always loved the sound of an electric guitar, unfortunately I just wasn’t focused and patient enough to continue learning how to play.

How do you describe your music to people?

I am a horrible, horrible salesman so I don’t really. If someone asks me I just give them some links and leave it to them. If I had a gun to my head and had to, I’d basically describe it as adrenaline. Not necessarily fast, but intense. I try to make music that you need to sit down and listen to. I’d rather have someone get back to me at a later date like “Yo, I’ve been listening to your CD and I’m digging it!”, than hearing 10 seconds of one song and immediately saying “this is good”. Some undivided attention is always good and with people’s short attention span these days that is hard to come by.

What image do you think your music conveys?

Hopefully something different. Something that says it’s ok not to be normal. Something that says just go ahead and do your thing, f*ck what everyone else is doing. That’s just how I live my life, period.

What’s your outlook on the record industry today?

Right now, it’s like a $100 bill blowing down the street in the wind. Cats are chasing it, but who is going to get it???? I’ve been handling my grown folk responsibilities so I’ve kinda lost touch with the industry. It’s damn near like I gotta start from scratch. Some of the old marketing methods are obsolete or aren’t even cost-effective anymore. Besides, I spent many years of income on my music and those days are done. I’ve got responsibilities to take care of now, so I’m going to have to look into less costly and more technological methods of handling things now.

What inspires you to do what you do?

Stress & knowing that I just may be working a 9-5 for the rest of my life, Idiots…..Bullsh*tting……Bullsh*tting females. Ya know, just everyday frustrations that I have to hold inside in order to get by in this world without having unnecessary drama.

What project or projects are you currently working on? When will they be released?

Right now I’m mixing down Jimmy Greek’s final solo album that I completely produced. I’m also working on an instrumental EP which is more progressive hip hop. My 3rd LP is still in the works but that will be done when it’s done. I want to make sure that it’s exactly what I’ve wanted to put out for my 3rd project. I have an album’s worth of loose songs (other people have produced) but I’m not in any rush to get that together. I just feel like I’m in a different place as far as making music these days…..maybe that’s all the more reason to get it together. Also have a concept EP I did with Rummage that needs to be mixed down. That’s been sitting around for a few years now but, is still too dope to forget about. Not sure when all this stuff will drop but I’m aiming to have something by the end of the year. I’m pretty sure Greek’s album with be out in the fall so def keep an ear out for that.

If you had an opportunity to collaborate with ANY artist or artists (dead or alive) in ANY genre of music/art, who would you choose? And why?

Mike Patton. Personally I think he’s a musical genius. Dude has an entire spectrum of vocal abilities, can compose and arrange a song that will stretch your listening abilities beyond its limits, and can play instruments in pretty much any musical genre you could imagine. I’d love to do a project with him. Still would like to collab with Buckethead and also remix a RZA or El-P track. There are a few guitarists (as well as vocalists) in bands that I like and that I’m going to reach out to for my 3rd LP, so I’m hoping that will come to fruition.

Support Carl Kavorkian by visiting:

http://www.myspace.com/carlkavorkian

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Interview by C73

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Is Hip-Hop Dead? If yes, explain. If no, explain:

I don’t believe it’s dead; more like no longer in its golden age. It’s happened to a lot of genres. Once something new comes along, there is a period of explosive creative energy which runs its course and becomes mainstream and misused. But something new always comes along. Right now, most “Hip-Hop” is a mixture of Electronic, RnB, Pop, Rock, and Disco. As those lines keep blurring, eventually some new genre will come along that thumps as hard as Led Zeppelin and Boogie Down Productions and we’ll all be in the golden age of that style.

What is your vision of Hip Hop’s future?

I think there will be two camps of “Hip-Hop,” 1) there will still be electronic sounding RnB songs with rap hooks that appeal to a certain group of people who just listen for a catchy ringtone melody or anything fast to dance to at a club, and 2) I think there will be a resurgence of the importance of lyricism, but it will be paired over live bands with jazz, rock, and metal rather than sampled beats.

Do you listen to other forms of music outside of Hip Hop, if yes WHAT?

I like everything that sounds good to my ears, Rock, Blues, Classic Rock, Stoner Rock, Krautrock, Classical, Doo-Wop… it’s all good to me. As the years have gone by, I’ve gained more of an appreciation for great musicians in any genre.

Who were your artistic/musical influences growing up?

KRS-One, Slick Rick, Run DMC, Rza, Jimi Hendrix, Led Zeppelin, Little Feet. But primarily, my biggest influence was the radio. I grew up taping college Hip-Hop radio shows on my old Fisher boombox. I often didn’t know who the artists were but I made myself fantastic tapes of music that no one in my school had ever heard before. It was great.

What is your music background?

My mother is a piano teacher and got me started on the fundamentals of music early on. In my teens I taught myself how to sample and construct songs electronically. When I was in my early 20’s I taught myself how to play guitar. Nowadays, I mix all of those things together to make one happy noise bomb.

How do you describe your music to people?

Usually I say Hip-Hop beats with Rock riffs. But I still feel like that accurately describes it.

What image do you think your music conveys?

Lots of people have described my music as being haunting, dystopian, hard hitting, cold and melodic… I can’t really argue with any of that.

What’s your outlook on the record industry today?

It’s on life support, and the old business model is dead and buried. The record industry has a short period of time left to reinvent itself. It may have to just let music be free, with advertisements much like TV. Maybe some alternative model will save the day. But it will never be like it once was.

What inspires you to do what you do?

Nothing really, making music is just fun to me. It’s nice to get fan appreciation every now and again, but I’d make music if there was no one else around to hear it.

What project or projects are you currently working on? When will they be released?

I have two albums completed and ready to go. The first is called “Hi-Deaf” and will be coming out on Paramanu Records this year, and the other one I’m considering giving away for free. I don’t know many indie artists who make a cent off their music, might as well just give it to people to brighten their day, or in the case of my music, scare their neighbors.

If you had an opportunity to collaborate with ANY artist or artists (dead or alive) in ANY genre of music/art, who would you choose? And why?

Jimi Hendrix, Buckethead, Tom Waits, Captain Beefheart

Check out Arcsin and his epic releases @:

http://www.myspace.com/arcatraz

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a href=”http://spizzyblog.wordpress.com/files/2009/06/free-pacino-bizz.jpg”>free-pacino-bizz

INTERVIEW BY KHALID STRICKLAND a.k.a. BLACK PACINO

CAMERAWORK BY CLAY DOG

Last week I attended a media luncheon for State Property’s Freeway and his young protege, Bizz a.k.a. The Prince of Jersey. The event went down at one of my favorite places to handle business, Hawaiian Tropic Zone in Times Square. HTZ’s bikini-clad waitresses, colorful alcoholic beverages and pleasant climate-control makes it one of my go-to meeting spots. Many members of the press were in the house including Angela Yee of the Shade 45 Morning Show, with her cute self. As I interviewed Bizz and Freeway my big homie Clay Dog videotaped the action.

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Also included is a new mixtape by Bizz, The Countdown, hosted by DJ Lazy K. Freeway, Max B, Baretta 9 of Killarmy and Akon are just a few of the artists who make guest appearances. It won’t cost you a dime to check it out. Just click the links below…

BLACK PACINO INTERVIEWS FREEWAY & BIZZ (Video)

“Realist Spittin” video. Bizz featuring Kinetic (a.k.a. Baretta 9)

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BIZZ a.k.a. THE PRINCE OF JERSEY “THE COUNTDOWN” HOSTED BY DJ LAZY K

Download link: http://sharebee.com/60bc06f2

Links of interest:

MYSPACE.COM/BIZZONLINE

BIZZ’S YOUTUBE CHANNEL

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For fans of best selling authors Malcolm Gladwell (“Tipping Point”) and Chris Anderson (“The Long Tail”), what’s one to do when you find that the authors of your favorite books are at odds over the future of “free” (also the title of Anderson’s new book)? The answer- look to another best seller, Seth Godin (“Tribes”). On his new blog post, he defends Anderson’s point of view.

After reading Gladwell’s review of Free in The New Yorker, I concur that there are indeed significant costs associated with the development of the technology and the distribution behind “ideas.” The biggest argument for Gladwell’s point of view is one that I don’t believe he makes- an idea that isn’t shared with anyone else is really just an idea. However, once that idea is shared with the world, it’s intellectual property. This type of property can be immensely valuable. That’s not to say that if someone creates a business based on giving away IP, that it can’t be successful. There are plenty of services that are offering content for free: traditional TV, Internet TV (Hulu, Joost, etc.), radio (both terrestrial and online variety- Pandora and Imeem), and most online news. Beyond that, at .99 cents- music is near free (legally), RedBox is providing major motion films for one dollar- not free, but cheap in comparison to a $10.00 movie (times each family member or a date that you bring with you), plus the price for soda, popcorn, and candy. As Godin’s pointed out in a previous post- “human attention has become the most valuable commodity.”

What Malcolm says in his article is true; many of these companies have yet to find profit in their free business models. Gladwell gives Youtube as an example of a “free” content company that is not seeing a profit. Another that is barely staying above water is Pandora. However, the “idea” industry’s biggest competitors are not necessarily other legal entities- they’re pirates. These pirates are not necessarily rogue bandits lurking in the underworld. In in many cases, they’re former customers who figured out how to get it free. This has been media’s biggest motivator to give their content away before someone else does it for them illegally. They’re competing with free. So their model is to garner enough traffic from hordes coming to consume anything that’s free, and then finding someone who will pay to piggyback their own message on the back of free media’s visibility- that’s an advertising model that’s been around for a while. The problem today is that previously (before the Long Tail), most of this media was created by professionals. It’s not that trained individuals are always going to generate the best media, or even that the everyday Joe can’t create entertaining content. However, when it comes to the masses of Joe’s creating media that is now available, finding that gem is much more difficult, simply because of the volume that is now available.

Back to Godin- For years, he’s been an advocate for the concept of “The Purple Cow,” an analogy for making one’s product extraordinary. This is the saving grace of both models- free and paid. Even free products will eventually fail to garner attention since there is so much mediocre media online. However, quality content will drive traffic and can also be monetized under certain circumstances. In regards to selling media- fans will always support what they believe in. If it can stimulate, motivate, and resonate, then they’ll pay for what you’ve got- even if they can find a way to get it free. Regardless of the form of media (books, video, music, etc.), in the future, there will still be room for both free and paid content.

In a recent interview that I conducted with Darryl Jennifer (bassist for the legendary Bad Brains)- a band that has enjoyed nearly three decades of cult success, and continue to sell tickets to shows, merchandise and music (physical and digital) to their fans- I asked Jennifer if he had advice for up-and-coming entertainers. He responded, “I don’t look at we do as entertainment. If I were just an entertainer, I probably wouldn’t be around today.” He explained that his career has been a mission. This movement of spirituality and eclectic music has garnered the band three decades of success.

People get behind movements. This is something that Seth Godin addresses in his book Tribes. Much media today is free because there’s so much of it, but most of it fails to move its audience. Regarding Anderson’s argument, “free” is not a definitive answer. We can find evidence of paid media working in a variety of places, including the mosh pits at shows for the aforementioned 50+ year old punk rockers. In actuality, an answer to the debate is even closer than a grungy club. Each of these authors continue to sell physical books, ebooks, and digital audio books to their followers. Like Jennifer, their fans wouldn’t think of not supporting the movements they’ve created. -I. Vasquetelle

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